Wednesday, April 17, 2024

Wednesday Briefs: Dracula #11 (3.3)

 Good morning and Happy Hump Day! If it's Wednesday, then it must be time for more flash fiction from the Wednesday Briefers! We're a group of authors who bring you our finest flash fiction every week, 500 to 1000 words, inspired by one of our prompts.

If Avram thought things were bad before, they just got worse as an old woman tries to warn everyone in the tavern about strigoi. See what's happening in this week's chapter of Dracula. Don't forget to visit the other Briefers and see what's going with them. Their links follow my tale! Enjoy!

Dracula #11 (3.3)

“Strigoi,” the old woman repeated. “Heartbreakers. Seducers of women… and of men.” A few of the men in the room squirmed uneasily at her words, while others playfully poked their neighbors and chortled in amusement. “The eyes in the night that see all,” she continued. “The mouths that demand, that steal the lifeblood of others in order to remain forever young.”

“What are you talking about?” one person called out, followed by another and another until the question echoed throughout the room. “What do you know, bunica?” “What tales are you trying to pass off as truth?” As quickly as they’d begun, the voices suddenly stilled. A hushed murmur swept over her listeners, as if they were afraid of what she might say, Avram among them.

“I know much.” The woman cackled. “I see much. Things you are too blind to see. Things you do not wish to see. That which is in front of your face.” As she continued to babbly, many of the men began to rise from their seats. Avram couldn’t tell if they were more frightened or angry at what they were hearing. For a second, he thought she stared directly at him, as if she actually knew something. An unpleasant chill gripped him, but then the moment passed, as did she.

Remain calm.

 The woman began to slink about the room, gliding amongst the tables, her wild gaze darting from person to person, daring them to say something—anything—to refute her words. “Let me ask you this, o wise men of Bistritz. Where are your wives and daughters now, while you are here getting drunk?”

“At home, of course,” a voice replied, followed by a chorus of similar sentiments, Bogdan’s rising above the others. “My Doina is where she belongs, waiting for me to come home so she can take care of me.”

“Tell me then, since you are such clever men, why are your women so pale? Why do they hide their necks from the light of the sun? Why are they so tired lately?” She cast accusatory glances from one man to another. Some of them appeared dumbfounded, as if they were considering her words.

Avram was fairly certain she was casting aspersions on the men’s women as an act of revenge for the way many of them had treated her in the past, making baseless accusations. While he could understand her motives, he did not appreciate them. Especially not now, when Dracula was very possibly involved in the very behavior she was insinuating was taking or had taken place in the village. Despite his protests to the contrary, did he consider it possible that Nico was taking blood from the blacksmith’s wife?

Unfortunately, he would not put it past him. When the vampire wanted something, he had a tendency to throw caution to the wind. They would most definitely have to talk about this… on their way out of town. There was no doubt in Avram’s mind that this was the only option they had, under the circumstances The important thing for now was to divert the attention of the townspeople so that he could ascertain for himself whether Dracula was still in the village or not.

Please, God, let him be gone.

If the beldame continued in this vein, the superstitious villagers might jump to the misguided conclusion that Dracula was guilty of something. Who knew what they might do then, acting under the influence of mob mentality.

And even if perchance Dracula was guilty of something, Avram felt the need to protect him, even if he was weaker than the nobleman. Physical strength would not necessarily stand him in good stead. In fact, it would probably worsen the situation. The only practical solution was to leave for a while and let things cool down.

Extended travels, far from Transylvania.

“You know nothing, you disgusting hag.”  Bogdan again. He advanced drunkenly toward her. A couple of his companions attempted to hold him back, but he broke from their well-meaning grip until he stood directly before the old man. He shook his finger in her face, but she never flinched. “You’re just jealous of her, of all the women, because they are what you are not. Young and beautiful.”

That was definitely a matter of opinion, but Avram held his tongue.

“Begone with you, foul creature!” Bogdan finished dramatically. Avram couldn’t help but admire his fearlessness, although his stance seemed a little bit shaky due, no doubt, to high consumption of alcohol.

At that unfortunate moment, a large gust of wind shook the building, rattling the windows. Bogdan’s legs gave away and he collapsed onto the floor, looking stupidly around him.

“You have angered the gods with your stupidity!” the woman cried as mass confusion ensured. Avram wanted to tell them it was only wind but knew he could never make himself heard above the chaos.

“Don’t be afraid.”

Avram sighed. Gunther was in the thick of it once more, attempting to calm the anxious men. They began to slip out of the alehouse, no doubt heading home to see what they might find. Bodan’s cronies abandoned him there on the floor, scattering like chaff before the wind.

Such fair-weather friends he has.

At least he wasn’t going anywhere. But that thought was premature, as Bogdan staggered to his feet. Most of the customers had fled, leaving a disgruntled owner and servers with little to do but clean up after them. The old lady wore a grin of self-congratulation at the effect she’d had on people she had no reason to like. But her work was not done.

She leaned down toward Bogdan and whispered in his ear.

“Church?”

Avram lurched to his feet, desperate to prevent the blacksmith from leaving. But he found his way blocked by the rude young man who’d served them earlier. Avram had barely registered who he was when the other man swung at him and Avram fell unconscious to the floor.

 to be continued

Now go see what's up with the other Briefers!

Cia Nordwell

J Ray Lamb

 

 

 

 

 

 

 

 


Tuesday, April 16, 2024

Book Review: One Piece, Vol 10: Let's Stand Up! by Eiichiro Oda

 

One Piece, Vol 10: Let’s Stand Up!     


Author: Eiichiro Oda

Publisher: Viz Media

American release date: April 4, 2006

Format/Genre/Length: Paperback/Manga/Action & Adventure/192 pages

Overall Personal Rating: ★★★★★

 

Luffy and the others reach the island where Nami has absconded to. Luffy is convinced that she is not the bad person she appears to be, that there must be a reason why she is working with Arlong the Fishman and his pirate crew. When they learn what her true motives are, and how she is working to buy back Coco Village from Arlong’s tyranny, Luffy knows what he has to do -defeat Arlong and free them all!

Luffy, Sanji, Zolo, and a reluctant Usopp head to Arlong Park, where the fishmen are dismissive of them. The fight begins, with their terrible leader nowhere in sight. Unfortunately, Luffy finds himself in quite the predicament when he ends up stuck in the cement, unable to move. To make matters worse, Arlong shows up, and manages to cut out Luffy, cement and all, and hurl him into the water! Oh dear, as everyone knows, those who eat the devil fruit cannot swim! Can they save Luffy from drowning? Matters aren’t helped when Usopp runs off, followed by one of Arlong’s men.

Sanji dives into the water to rescue Luffy but he is attacked by one of the fishmen and has to do battle. Meanwhile, Nojiko (Nami’s sister) and Mr. Genzo have come to the rescue. Nojiko holds Luffy’s head above water, having stretched his neck, while Mr. Genzo presses on his chest to help him breathe. Even so, how long can Luffy hold out like this?

Usopp, in fear for his life, manages to convince his attacker that he is dead, but his conscience gets the better of him, thinking of Luffy and the others, and he decides to stand up to him, come what may! Nami decides the same thing and heads into the fray! Once Luffy is rescued, it’s time that he and Arlong tangle!

This volume of One Piece is about standing up for yourself and for your friends and doing the right thing. Nami has been with Arlong and his nefarious crew for a long time, albeit for good reasons, but she’s also been isolated and abused, becoming mistrustful of people. She learns to let go of that thanks to Luffy, who believes the best of everyone. Usopp, despite his bravado and wild tales, has essentially considered himself to be a coward, afraid to step in, afraid to be hurt. But Luffy has shown him that friends fight for friends, and he is finding his backbone at last.

Luffy’s a good kid, and a good friend and captain. He does not allow injustice to go unpunished, especially when it concerns his friends. It’ll be interesting to see how he develops as the story goes along. Great volume, look forward to the next!

Saturday, April 13, 2024

Saturday is Horror Day #161 - Victor Frankenstein

 Victor Frankenstein


A young hunchbacked man with no name (Daniel Radcliffe) works for a circus in Victorian England. Although he is abused, and treated like he's stupid, he secretly studies the subject that interests him - life - in the form of medical books. And he crushes on one of the ladies in the circus, Lorelei (Jessica Brown Findlay). An accident brings him face to face with a medical student in the audience, Victor Frankenstein (James McAvoy), who recognizes the young man's brilliance and steals him away from the circus. He takes him to his new home, names him Igor, and proceeds to involve him in his experiments, which involve the creation of life itself. Unfortunately for them, a determined policeman, Inspector Turpin (Andrew Scott) is on the case of the missing hunchback and will stop at nothing to find him.



This is the familiar tale of Frankenstein as seen through the eyes of Igor (who, of course, is a completely 


original character not from the book). I think it can be considered an origin story as such.  The obsessed Frankenstein manages to find a like-minded patron at the college he somewhat attends, one who is fortunately very wealthy and willing to fund Victor's research. Having been transformed from being a hunchback, Igor is very grateful for Victor and his friendship. But he begins to wonder about the ethics of what they are doing. Also, who is this Igor he is named after, and where is he?


The film is very creative in sets and design, the writing and directing are good, but, at least for me, it didn't quite make it. Something fell just a little flat, although I'm not sure I can put my finger on what. Perhaps it didn't quite make me believe, didn't ground me in its reality. While Daniel Radcliffe is good as Igor, his transition from supposed circus idiot to brilliant biologist was a little too quick to be really believable. McAvoy's Frankenstein is a little two-dimensional, and reveals nothing of the person beneath until we get to the story of his brother at the end, and that's just too little too late. Andrew Scott's Inspector Turpin (sorry, I keep wanting to say Moriarity lol) is sufficiently obsessed and off his rocker  as well as being a religious fanatic who thinks they are doing the work of Satan, but he doesn't ring quite true to me. 


At what I believe to be the heart of this story is the question of science vs morality - just because we know how to do it, should we? Or are there things that are better left alone, such as the creation of life? Of course, there is no definitive answer as this is the lead-in to the Frankenstein story itself, which explores that theme as well.  Was it worth watching. Yes, but it wasn't quite the film I had hoped for, despite a great cast. I'll give this film 3.5 Stars.

Friday, April 12, 2024

Book Review: Cries Unheard: Why Children Kill: The Story of Mary Bell by Gitta Sereny

 

Cries Unheard: Why Children Kill: The Story of Mary Bell     


  

Author: Gitta Sereny

Publisher: Metropolitan Books

American release date: April 13, 1999

Format/Genre/Length: Hardback/Criminology/416 pages

Overall Personal Rating: ★★★★

 

In 1968, Mary Bell (age eleven) and Norma Bell (age thirteen) were arrested for the murder of two little boys – Martin Brown (age four) and Brian Howe (age 3). The arrests shocked Great Britain, as well as the rest of the world. Children killing children? What was wrong with these girls? The world looked on in horror as they were sent to trial. Norma Bell (no relation to Mary) was acquitted of the crimes, but Mary was convicted and incarcerated. Of course, they didn’t send her to prison right away, that came later. The judge who sentenced her called her a monster. Was it possible for such a young child to be a monster? Or was there more to the story that no one bothered to look into?

Gitta Sereny covered the trial when it happened. Her first book on the subject was The Case of Mary Bell. She never lost touch with Mary, even after her release in 1980. Mary wanted to be left alone, and refused offers from various sources for her story. It wasn’t until after the death of her mother, Betty Bell, that Gitta contacted her again and she agreed to talk to her and to tell her story. This is her story.

To say she came from a troubled home would be an understatement. Mary’s mother was seventeen when she had her and immediately wanted “the thing” taken away. During the first four years of Mary’s life, she tried to kill her four times. From the ages of four to eight, she allowed her to be sexually abused (Betty was a prostitute). But no one took any of that into consideration when they tried her as if she were an adult.

I remember reading about the case in the newspaper back in 1968 and I was shocked, of course (I am just a little older than Mary myself). I’ve never forgotten about what happened, so when I found out about this book, I had to read it. It made me reevaluate what I thought about Mary and what she did. She should have never been tried, she should have been helped. Her cries for help fell on deaf ears, though.  At her tender age, children have no concept of the finality of death. The biggest reason why Norma Bell was acquitted and Mary convicted had to do with their support systems – Norma’s family was there for her, and Mary’s was not.

Major reforms need to happen in regard to children who commit such crimes below a certain age. Another case that is mentioned in the book has to do with the torture and murder of young James Bulger by two ten-year-old boys. They too received early release from their life sentences. Today Mary lives with her daughter and her partner in anonymity. She is not the child she once was. I can’t help but admire her resilience and strength after all she has been through, especially with her horrible mother. This book is important for us to gain an understanding and show compassion for children, who don’t always know what they are doing.  They aren’t adults and should not be treated that way, even if they commit adult crimes. We shouldn’t let their cries go unheard.

 

Wednesday, April 10, 2024

Wednesday Briefs: Dracula #10 (3.2)

 Good morning and Happy Hump Day! If it's Wednesday, then it must be time for more flash fiction from the Wednesday Briefers! We're a group of authors who bring you our finest flash fiction every week, 500 to 1000 words, inspired by one of our prompts.

Things are going all wrong at the alehouse. Someone has upset the blacksmith in regards to his pretty wife, and Avram fears something worse is to come. See what's happening in this week's chapter of Dracula. Don't forget to visit the other Briefers and see what's up with them. Their links follow my tale! Enjoy!

Dracula #10 (3.2)

A collective gasp surged through the alehouse. The ensuing silence rendered the argument between the two men all the more audible, encouraging listeners.

“I simply said she seems very happy lately. That’s all I said, Bogdan. You are making a fuss over nothing.” And yet the tone of the speaker’s voice implied so much more. What did he know, what could he have seen, and did it somehow relate to Dracula?

How could it not?

Avram focused his attention on the far side of the room. Bogdan and the other man, whom Avram recognized as one of the local farmers, faced one another in an almost pugilistic stance—Avram wasn’t sure if they intended to fight or dance. Bogdan’s fists were raised, so perhaps dancing was not on the agenda, but his opponent appeared to be more amused than intimidated.

“And why wouldn’t she be happy? She’s married to me,” Bogdan boasted. Such a schlemiel. The blacksmith’s claim of marital bliss drew a few indiscreet chuckles from the eavesdropping customers. Even the servers had stopped what they were doing to openly gape at the growing spectacle. “She has a good home,” he continued. “Plenty of food to eat, clothes to wear, and she has the wisdom and guidance of my beloved mother, who lives with us.”

Avram remembered Bogdan’s mother. Her presence wasn’t the blessing the blacksmith thought it was, and he was sure Doina felt much the same way. No wonder she was drawn to the handsome nobleman. Also, too bad she was drawn to him. She would have been better off having an affair with one of the villagers. A more normal man.

A dark shape passed in front of Avram’s line of sight. Only then did he realize that Gunther had pushed his chair back and was crossing the room in the direction of the two combatants, swiftly closing the distance between them. Suddenly fearful for his friend, Avram rose as well and quickly followed him. If Bogdan became any more riled up than he was, he might strike out blindly and not realize he was hitting a priest.

“And lucky she is to have you,” Gunther inserted smoothly as he took up a not very subtle stand between the two men. “I’m sure Doina realizes what a good husband you are and appreciates the life you and your mother have given her.”

“That’s just what I said, Father,” the other man claimed. More snickers followed. Bogdan swiveled his thick neck left and right, glaring at his neighbors, but he was apparently too slow to catch anyone red-handed.

“Sit back down, Bogdan, never you mind him,” one of the blacksmith’s friends urged. “Here, come have some more beer,” another chimed in, joined by the other men at his table in a drunken Greek chorus.  Avram watched the blacksmith seem to visibly relax at the entreaties of his friends. He said a brief prayer of thanks beneath his breath as Gunther coaxed the second man back into his seat with his own companions, before turning toward Avram with a wink and a smile.

 To quote the bard, all’s well that ends well. Avram made a mental note to buy his friend another drink… or two.  He’d more than earned that for his timely intervention. He breathed a heartfelt sigh of relief as he patted Gunther’s shoulder and they returned to their table. This night could not end soon enough for him.

As if on cue, conversations resumed once more, the noise level rising accordingly, and business continued as it had been before.  Avram hoped Dracula was done by now and back at the castle. Or at least somewhere outside the village. And hopefully practicing discretion, although sometimes that seemed to be too much to ask of the man, despite the fact he was old enough to know better. He glanced with renewed interest at the bread and cheese on the table. A little nosh wouldn’t hurt. He reached for the bread, but his hand froze in mid-air.

“Strigoi.”

Apparently, his momentary peace of mind had been premature.

That single foreboding word rang out, too loud for Avram’s taste, overriding the other voices and bringing all conversation to a halt once more. It might just as well have been the voice of Jehovah for the effect that it created. The speaker was an elderly woman whose shapeless dark brown cape resembled a shroud. This woman, whose name everyone had forgotten, was usually referred to as the old bunica, or grandmother, if not worse. She was known about the village for being peculiar—no one knew where she came from, she had no known family, and she lived alone, a large black Transylvanian hound her sole companion. Plus, further damning her in the eyes of the villagers, she followed the precepts of no known or acceptable religion. Some referred to her as the Witch of Bistritz, but Avram did not hold to such nonsense. However, he knew that even though she was an object of irrational fear, she was very superstitious herself, and a likely candidate to spread unfortunate rumors. Especially when it came to his master. He sometimes wondered if Dracula had known her in her youth but he’d never asked him. He wasn’t sure he wanted to know.

All eyes turned toward the woman, as if anticipating she had more to say. And they were not wrong.

 to be continued

Now go see what's up with the other Briefers!

Cia Nordwell

J Ray Lamb


 

 

 

 


Virtual Book Tour: The Family That Finds us by Phoenix Blackwood

 Good morning everyone! Please welcome author Phoenix Blackwood to Full Moon Dreaming!  They are here today to talk about their new release, The Family That Finds Us. Phoenix will be awarding a $10 Amazon/BN GC to one randomly drawn commenter via Rafflecopter during the tour. The more you comment, the better your chances of winning! To find the other stops on their tour, go here. Don't forget to look for the Rafflecopter at the end of this post!


 


THE FAMILY THAT FINDS US

Phoenix Blackwood


 

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GENRE:  LGBTQIA+ Coming of Age

 

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BLURB:

 

Phee hides her secrets well, until they become too much to bear. Her biggest secret is one she’s kept even from herself. Her longest-kept secret is one that hurts her every day. Her final secret is one that will set her free.

 

In a school that doesn’t accept them, Phee, Theo, and Alex fight for a community close to their hearts. The community desperately needs the trio to help the rest of them leave the shadows without fear of violence and discrimination. Through some heroic activism, the three push the school officials to their limits — forcing them to act — for better or worse.

 

For Phee, the fight for a place where she can be herself doesn’t stop when she gets home. The strain of taking care of her alcoholic and abusive mother threatens to break Phee away from her family bond forever. Her mother can go from a messy drunk to an angry one in an instant, turning Phee’s home life from an obligation to a war zone.

 

Theo’s house offers respite to Phee. With compassion scarce in her life, Alex and Theo are Phee’s light in the dark. They protect and cherish her. At Theo’s, Phee is free to be herself and explore her identity safely — her chosen family ready to catch her if she falls. That’s what family does, how family finds us when we feel lost and alone.

 

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EXCERPT:

 



 

“No!” I screamed, flailing against her as she pinned me down with one arm and cut with the other, lock after lock of black hair falling to the ground and into the sink.

 

Tears came next, as I fought the futile fight to get her to stop. I shrieked, begging for her to stop, but she just kept going, until there was nothing left. Just jagged tufts of hair sticking straight up from my scalp. She let go of me, throwing the scissors back into the drawer and slamming it shut without a word. She looked at me with the most haunting gaze I’d ever seen out of her, shook her head, and then walked into her room, slamming her door behind her. My knees grew weak, and I fell to the ground, clutching the discarded chunks of my hair that lay strewn about the floor. My wails could’ve been heard a block away. I’d found two things I liked about myself last night, and now one of them was gone.

 

Eventually, I dragged myself into my room, picking up my phone and texting Theo through my tears to come get me. Not even ten minutes later, there was a knock at the apartment door. I was still crying as I opened it to watch Theo’s face morph in horror as they caught sight of me.

 

“Oh my god, Phee, what did she do?”

 

I shook my head, staring down at the floor as tears fell from my face. Theo wrapped their arms around me, and I choked out, “She was sober.”

 

Theo rubbed my back for a minute, then guided me towards my room, “C’mon, get your stuff. You’re gonna stay at my house.” I grabbed the discarded makeup from my floor and stuffed it into a duffel bag, along with a couple changes of clothes. Then, I grabbed my backpack and solemnly followed Theo out the door, locking it behind me.

 

 

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AUTHOR Bio and Links:

 

Born and raised in New England, Phoenix has always been a creative – whether it’s painting or writing. From a very young age, Phoenix has envisioned and created characters, writing them into existence and exploring them through visual arts. Having graduated to first-time short story author, Phoenix is embarking on a journey towards novel writing as they finally bring characters they’ve known for years into the world. Phoenix is neurodiverse and intersex and hopes to bring more representation to both topics with their writing. They believe in creating relatable characters that people can find themselves in and empathize with.

 

Amazon buy link: https://www.amazon.com/Family-That-Finds-Us-ebook/dp/B0CQVC7WQ3/ref=sr_1_1

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1.    What is your idea of how to spend romantic time with your significant other?

So here’s the thing, I’m a HOPELESS romantic. It’s not super well showcased in The Family that Finds Us, as the only couple in the story really is Theo and Alex, and their relationship is pretty well explored in the previous two books. I’m not a “big, extravagant gestures” type of person, I’m more drawn to the little things that a partner might remember about you – things that show they’ve paid attention to you. If I tell my partner I’ve had a tough day at work, and they welcome me home with a new warm, soft blanket (there will never be too many) and my favorite movie picked out on the TV, that’s as romantic as it gets. If they bring me something they made or something they found because it made them think of me, that thing is going on my shelf forever. If they read my favorite book so that we can talk about it, it’s an incredible gesture of love.

 

2.    When you start a new story, do you begin with a character, or a plot?

My stories are incredibly character driven, so that’s usually where I start. There’s usually a premise to this character, but everything hinges on how the character navigates the situation. What do they need, what do they want, where are they going? It’s their journey and we’re just along for the ride. Maybe there’s a witch who lives in a swamp that everyone’s afraid of – the classic tale. But what was the witch’s life been like? What adventures has she been on? Why is everyone so afraid of her, what happened? Any of these answers create their own story and how it goes depends on how the witch navigates these scenarios.

3.    Who’s your favorite horror villain and why?

Hands down, Alessa from Silent Hill. Her character does a beautiful job of showcasing the effects of trauma and being villainized and misunderstood. I honestly don’t even think she’s really the villain in the movie, although she is posed as one throughout the story. The rage she feels and revenge she enacts on the town is a direct result of the way they handled her trauma, and the way they treated her afterwards. She’s honestly a beautiful revenge fantasy in a character, and hey, sometimes we just need that.

4.    Do you have an historical crush and if so, who is it?

Audrey Hepburn if we’re going purely on looks, but in her life’s work and legacy I definitely crush hard on Virgina Woolf. A bipolar, queer writer that did amazing things for the world of literature, I love her work and she definitely shaped some of the way that I write.

5.    Is there a story that you’d like to tell but you think the world isn’t ready to receive it?

I think it depends on what part of the world we’re talking about. There’s definitely parts of the world that aren’t ready to hear the stories I’ve already written, and plan to write. I don’t particularly care about those parts, if I’m being blunt, as it’s mainly close minded individuals who use many crutches as an excuse to hate. They’re definitely not ready to hear about a queer foster child that falls in love with their best friend. But another part of the world is, and that’s the part I want to be there for. The struggling teen that doesn’t understand the feelings they’re having and have nowhere to turn, the adult that knows their child is different but doesn’t know how to help them, and even the adult queer who is firm in their identity but wants to see stories with people like them. Those are the people I’m writing for, and I think they’re ready for whatever I have to say.


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Saturday, April 6, 2024

Saturday is Horror Day #160 - Poor Things, Dead Shack

 Poor Things


Godwin Baxter (Willem Dafoe) is a brilliant and scarred scientist who discovers a woman (Emma Stone) who has just drowned herself. To his horror, he discovers she is pregnant. In an unorthodox move, he removes the brain of the infant and transplants it into the woman, saving her life. He names her Bella, and watches as she must re-develop from an infant, despite having the body of a grown woman. Godwin's assistant Max (Ramy Youssef) falls in love with Bella and they become engaged. All is well until Duncan Wedderburn (Mark Ruffalo) comes along, and leads Bella down paths she has never imagined, opening the world to her.





Poor Things is a creative re-imagining of the Frankenstein story. In this case, the scientist is the one with 


scars, the result of his father's direct experimentation upon his son. The cinematography is very lovely and well done, the acting superb, especially Mark Ruffalo as the villain Wedderburn. And yet... and yet... I found myself very disturbed because at the end of the day, Bella, despite having a woman's body, had the mind of a child, so what happened felt... wrong.  I just couldn't help but feel disturbed that she was having sex.




Be warned, there is a ton of sex in this movie. A TON OF SEX. I understand what the director was going for. The independence of women, the ability to control their own sex lives, to not need men to control them. I don't have a problem with the prostitution aspect, that doesn't bother me. It's just the idea that intellectually and emotionally, Bella is a child. Maturity does not happen that quickly. Plus, although many will disagree, I didn't see Emma Stone's performance as the tour de force some have suggested it was. I thought her performance rather awkward at times, and stiff. I would never watch this again, spend another two and a half hours on it. It's a matter of taste. Poor Things was just not to mine. I'll give this film 3 Stars.

Dead Shack


Jason (Matthew Nelson-Mahood) is invited to go camping with his friend Colin's (Gabriel LaBelle) family, including Colin's sister Summer (Lizzie Boys), their dad Roger (Donavan Stinson) and Roger's girlfriend Lisa (Valerie Tian). They end up in a cheap cabin in the middle of nowhere. The teens are pretty free to do as they want while the so-called adults get drunk. They wander through the woods and discover what appears to be an abandoned house, with a lot of junk cars on the property. But there is more here than meets the eye as they quickly discover this neighbor (Lauren Holly) is definitely not the neighborly type.





This film combines horror and humor in a tale of cannibals and zombies. It has some funny moments, 


including the drunken father who is too focused on drinking, his young girlfriend, and being his kid's friend to be the leader they need in a crisis. One has to wonder how Lauren Holly ended p here in a suit that's a cross between dominatrix and welder, but that's anyone's guess. Maybe she is friends with the director or something. Not the best, not the worst, but not a complete waste of time either. It's only 81 minutes, and I'm fine with that. I'll give this film 3 Stars.